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The Philosophy of Fine Art, volume 4 (of 4)

Note 50 — Chapter III · (continued 8)

Francis Plumptre Beresford Osmaston translation

Hegel's statement is hardly supported by the facts as they are narrated in the "Œdipus Rex." It is the force of facts rather than a power of prevision, which arouse the knowledge of the terrible truth. But Hegel is here evidently most absorbed in the ideal and universal significance of the drama.

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