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The Philosophy of Fine Art, volume 3 (of 4)

Note 432 — Chapter II

Francis Plumptre Beresford Osmaston translation

This is the converse case of a series of definite points of contrast, but unrelated by any integrating principle. I admit frankly that I am not sure I have wholly seized the meaning in these difficult paragraphs. I have adhered in my translation, therefore, as closely as possible to the original.

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