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The Philosophy of Fine Art, volume 3 (of 4)

Note 399 — Chapter II

Francis Plumptre Beresford Osmaston translation

No doubt this is so if we assume the content to be mainly a theme, a motive. But the content of a movement includes the development. The main difference after all is the fundamental one that in music the content is unfolded in a time series and in the plastic arts instantaneously in spatial form. And in poetry the apprehension is also in a temporal series.

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