Note 263 — Chapter I
Francis Plumptre Beresford Osmaston translation
Der Gehalt ihres Gemüths. It is possible to see in this analysis something rather capricious and far-fetched, and yet to appreciate its value as an analysis of Christian love for the deceased beloved as contrasted with pagan sentiment. The finest illustration I myself can recollect of this is not the mother Mary at all, but the figure of the Magdalene in Tintoret's "Deposition" in the S. Giorgio Maggiore Church in Venice. As a matter of fact the divine mother in sacred art is almost invariably depicted in a state of swoon under the stress of her grief, though Tintoret's Pietà in the Brera is a notable exception.