← Table of contents
The Philosophy of Fine Art, volume 3 (of 4)

Note 280 — Chapter I · (continued 2)

Francis Plumptre Beresford Osmaston translation

Of course, even in the painting of still life, artistic composition itself implies by its selection and subordination to an idea a new result. And the characteristic technique of a painter inevitably has the same result.

Explore with AITake your curiosity a little further.

Reading settings