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The Philosophy of Fine Art, volume 3 (of 4)

Note 286 — Chapter I · (continued 2)

Francis Plumptre Beresford Osmaston translation

It is hardly necessary to point out that this discussion, being based on Goethe's false theory of colour in opposition to Newton's prismatic analysis, has no scientific value, though historically of interest. The blueness of the sky is due to the blue rays being detained.

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