← Table of contents
The Philosophy of Fine Art, volume 3 (of 4)

Note 283 — Chapter I · (continued 2)

Francis Plumptre Beresford Osmaston translation

It is perhaps rather strange that Hegel should have considered the Dutch and Flemish schools as pre-eminently colourists. Apart from Rembrandt the truth is not very apparent. But he was mainly thinking of their dexterity in the lighting of a picture and the scintillation of colour.

Explore with AITake your curiosity a little further.

Reading settings