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The Philosophy of Fine Art, volume 2 (of 4)

Note 16 — Chapter III

Francis Plumptre Beresford Osmaston translation

Ein allgemeiner Gedanke. The reference throughout this paragraph to the universality of the ideas of reflection as contrasted with the sensuous image is rather a reference to the abstract conceptions of the analytical mind, that is, which are usually understood as universals in the sense of generic conceptions, than any fuller grasp of concrete reality such as possesses a truly ideal significance. So in its application to the metaphor I imagine what is meant is that we have here the process of dry analysis which merely destroys its significance as metaphor, that is, its synthetic unity for our aesthetic sense.

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