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The Philosophy of Fine Art, volume 2 (of 4)

Note 238 — Chapter I

Francis Plumptre Beresford Osmaston translation

The elimination even of sympathy with such fanaticism where it is quite sincere, a rare case no doubt, seems severe. The best illustration in modern literature I know of the principle "all or nothing," is Ibsen's great drama "Brandt." Readers of Carlyle will doubtless recall from "Past and Present" and elsewhere that prophet's repeated denunciations of the craze for personal happiness.

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