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The Philosophy of Fine Art, volume 1 (of 4)

Note 9 — G. W. F. HEGEL

Francis Plumptre Beresford Osmaston translation

An almost inevitable defect of such a translation is that criticism may be offered without supplying the material necessary for any satisfactory verdict upon its sufficiency. Thus M. Bénard cites with approval an adverse criticism passed upon what is called Hegel's inadequate treatment of the Idea of Beauty as a partial manifestation of the absolute Idea, but barely includes any of the passages which refer to this in his translation (note, p. 36). Such can lead to no conclusion whatever, though it obviously may entirely mislead his readers.

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