Note 10 — G. W. F. HEGEL

"History of Aesthetik," by Bernard Bosanquet (Sonnenschein, 1892). See in particular pp. 333-362. With regard to the comparative value of the work of Schelling and Hegel on this subject the author says (p. 334): "It may be said that while we prefer Hegel to Schelling this is partly because Schelling is best represented in Hegel." I can claim but a very limited firsthand knowledge of modern German works on Aesthetik. But I may observe that the section of Lötze's history of German works on the subject devoted to Hegel's "Philosophy of Fine Art" appears to me by no means equal in ability to other portions of the work. The aim of the author appears rather that of proving that his own researches occupy a ground wholly unoccupied by Hegel than of defining with any completeness the ground actually appropriated by Hegel.