Note 165 — Chapter III · (continued 3)

The colour of art is not merely ideal as applied to only two dimensions of space, but also is "subjective" in the artistic treatment of it under a definite "scheme." It is not clear whether Hegel alludes also to this; apparently not, though it is the most important feature. In fact, even assuming his theory of light to be correct, it is difficult entirely to follow his distinction between the appearance of colour on a flat or a round surface. As natural colour the one would be as ideal as the other. Only regarded as a composition would painting present distinction.