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The Philosophy of Fine Art, volume 1 (of 4)

Note 140 — Chapter III · (continued 3)

Francis Plumptre Beresford Osmaston translation

The point, of course, is that the different media of the several arts are inherently, and in virtue of the fact that we have not here mere matter as opposed to that which is intellectual rather than sensuous, but matter in which the notional concept is already essentially present or pregnant (sound is, for instance, more ideal than the spatial matter of architecture), adapted to the particular arts in which they serve as the medium of expression.

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