Note 72 — Chapter III · (continued 2)
Francis Plumptre Beresford Osmaston translation
It may at least be questioned whether the ground given here of this distinction, or part of it, is strictly accurate. It may be said that our sense of sight and hearing are both in contact with the waves of the medium, the vibration of which produces the impression we call sound or light. The most obvious distinction then appears to be that the natural object is left as it is by hearing and sight. This at least holds good as against taste. But at least it may be questioned, I think, whether the sense of touch may not be the source of artistic enjoyment, certainly in the case of the blind. And the sense of smell at least leaves objects as they are, and some may contend that it is a source of enjoyment of the beauty of Nature. Hegel would reply, of course, that no works of human art are enjoyed by such means. The main ground is, however, that sight and hearing are the senses closest to intelligence.