Note 430 — Chapter III · (continued 5)
Francis Plumptre Beresford Osmaston translation
I presume the difference here alluded to is such as we may see if we contrast the tone of a Correggio, for instance, with that of a Titian or a Rembrandt.
Francis Plumptre Beresford Osmaston translation
I presume the difference here alluded to is such as we may see if we contrast the tone of a Correggio, for instance, with that of a Titian or a Rembrandt.