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The Philosophy of Fine Art, volume 1 (of 4)

Note 238 — Chapter II

Francis Plumptre Beresford Osmaston translation

This account of the criterium to be adopted in determining beauty in the animal creation is open to some criticism. Mobility is no doubt one element of beauty, but it is only one. Professor Bosanquet points out in his criticism of the passage ("Hist, of Aesthetik," p. 338) that it amounts to the assertion that ugliness is purely relative. The defect is not only due, it seems to me, to Hegel's insufficient regard for Nature as a modern painter would so regard it, but it may be traced also to his manifest preference for motion in all the manifestations of Nature.

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