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The origins of art; a psychological & sociological inquiry

Note 425 — Chapter XIX · ART AND WAR

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Fritsch, l.c. p. 328. The authority of Herr Fritsch gives sufficient credit to this assertion, although it is in direct opposition to the statement of Kolbe, Reise, pp. 530, 531. Herr Fritsch’s account of Hottentot dancing is, moreover, in substantial agreement with Sparrman’s description, Resa, i. pp. 375, 376.

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