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The origins of art; a psychological & sociological inquiry

Note 341 — Chapter XVI · THE ORIGINS OF SELF-DECORATION

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Robley, Moko, pp. 10-16. Cf., however, Shortland (New Zealand, pp. 16, 17), who explains Moko as being only a “fashionable mode of adornment,” and Dieffenbach (New Zealand, ii. p. 34), who thinks that the use of Moko for signatures is a modern invention. Tattooings which serve as individual marks of recognition are mentioned by Heriot, Travels through the Canadas, p. 293; Fraser, Aborigines of New South Wales, p. 45; Herr Koeler (Monatsberichte der Gesellschaft für Erdkunde, iii. p. 51) thinks that the scars of the Australians—“these genealogical indices”—may to some extent make up for the want of proper names.

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