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The origins of art; a psychological & sociological inquiry

Note 177 — Chapter XII · ART AND INFORMATION

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Cf. Mallery in Rep. Bur. Ethn. i. pp. 283, 284, 347; Sayce, Introd. to the Science of Language, i. pp. 92-94, 105-107; ii. pp. 306-308. It is to be remarked that in maintaining the priority of pantomimic language Mr. Mallery always emphasises the “instinctive” character of this means of communication. Cp. Rep. Bur. i. pp. 340, 347. Professor Sayce seems to conceive gesture-language as consisting only of dramatically imitating “moves” or sounds, (l.c. i. p. 107). Professor Tylor, on the other hand, who takes up a critical position with regard to the theory of gesture-language as an intermediate stage of evolution, speaks of gesture-language as made up by delineations and indications (Early Hist. of Mankind, pp. 15, 16). In a theoretical discussion it is evidently necessary to maintain a strict distinction between these different kinds of pantomimic thought-conveyance, which are no doubt accompanied by different degrees of intention. Cp. Romanes, Mental Evol. in Man, pp. 86, 103.

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