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The Old Masters and Their Pictures, For the Use of Schools and Learners in Art

Note (return) — Chapter VI

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Self-confident to presumption, he took for his inspirations the merest impulses, and considerably marred the effect of his unquestionably grand genius by gross haste and carelessness. He was a successful man in his day, as so energetic and unscrupulous a man was likely enough to be, and his fellow-citizens, who saw principally on the surface, 20 were charmed beyond measure by his tremendous capacity for invention, his dramatic vigour, his gorgeous, rampant richness and glare; or, by contrast, his dead dulness of ornament and colouring; and were not too greatly offended by his occasional untruthfulness in drawing and colouring, and the inequality of his careless, slovenly, powerful achievements. Yet even Tintoret's fascinated contemporaries said of him that he 'used three pencils: one gold, one silver, one lead.'

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