Note (return) — Chapter XIII · 50

Meindert Hobbema was born in 1638, married in 1638, and died in poverty at Amsterdam in 1709. His works, which were neglected in his lifetime, now fetch much more than their weight in gold. Sums as large as four thousand pounds have been paid more than once for a Hobbema, yet his name was not found in any dictionary of art or artists for more than a century after his death. The English were the first to acknowledge Hobbema's merit, and nine-tenths of his works are in England, where he is the most popular Dutch landscape painter. But he is said by judges to have less invention and less poetic sensibility than his contemporary and friend Ruysdael. Hobbema's subjects are usually villages surrounded by trees like those in Guelderland, water-mills, a slightly broken country, with groups of trees, wheatfields, meadows, and small pools, more rarely portions of towns, and still more seldom old castles and stately mansions. 56 He has all the lifelike truthfulness of the Dutch artists. In tone he is as warm and golden as Ruysdael is cool in his greens. In the National Gallery there are excellent specimens of Hobbema, such as 'The Avenue Middelharnis' and 'A Landscape in Showery Weather.'