Note (return) — Chapter XII · 48
Reading edition
His colouring was 'golden and broad,' in anticipation of that of Titian; his draperies were fine. He was wanting in the ideal, but full of human feeling, which was apt to get rude and boisterous; his angels were 'like great high-spirited boys.' Withal, his style of composition was stately. Among the best examples of his work are scenes from the life of St John the Baptist in frescoes in the choir of the Duomo at Prato. His panel pictures are rather numerous. There are two lunette 49 pictures by Fra Filippo in the National Gallery.