Note 260 — BOOK II. AN ACCOUNT OF THE WORLD AND THE ELEMENTS.

These appellations appear to have originated from different nations having assumed different notes as the foundation or commencement of their musical scale. The Abbé Barthelemi informs us, that “the Dorians executed the same air a tone lower than the Phrygians, and the latter a tone still higher than the Lydians; hence the denomination of the Dorian, Phrygian, and Lydian modes.” It appears to have been a general practice to employ the lowest modes for the slowest airs; Anacharsis’s Travels, iii. 73, 74.