Note I-131 — Chapter I · ON THE ORIGIN OF THE AMERICANS.

There is a plate showing an Aztec priestess in Delafield's Antiq. Amer., p. 61, which, if correctly drawn, certainly presents a head-dress strikingly Egyptian. The same might almost be said of a cut in vol. iv. of this work, p. 562 , and, indeed, of several other cuts in the same volume. Mr Stephens, Cent. Amer., vol. ii., p. 441, gives, for the sake of comparison, a plate representing two specimens of Egyptian sculpture; one from the side of the great monument at Thebes known as the Vocal Memnon, and the other from the top of the fallen obelisk at Carnac. 'I think,', he writes, 'by comparison with the engravings before presented, it will be found that there is no resemblance whatever. If there be any at all striking, it is only that the figures are in profile, and this is equally true of all good sculpture in bas-relief.' He happens, however, here, to have selected two Egyptian subjects which almost find their counterparts in America. In the preceding volume of this work, p. 333 , is given a cut of what is called the 'tablet of the cross' at Palenque. In this we see a cross, and perched upon it a bird, to which (or to the cross) two human figures in profile, apparently priests, are making an offering. In Mr Stephens' representation from the Vocal Memnon we find almost the same thing, the differences being, that instead of an ornamented Latin cross, we have here a crux commissa, or patibulata; that instead of one bird there are two, not on the cross but immediately above it; and that the figures, though in profile and holding the same general positions, are dressed in a different manner, and are apparently binding the cross with the lotus instead of making an offering to it; in Mr Stephens' representation from the obelisk of Carnac, however, a priest is evidently making an offering to a large bird perched upon an altar, and here, again, the human figures occupy the same position. The hieroglyphs, though the characters are of course different, are, it will be noticed, disposed upon the stone in much the same manner. The frontispiece of Stephens' Cent. Amer., vol. ii., described on p. 352, represents the tablet on the back wall of the altar, casa No. 3, at Palenque. Once more here are two priests clad in all the elaborate insignia of their office, standing one on either side of a table, or altar, upon which are erected two batons, crossed in such a manner as to form a crux decussata, and supporting a hideous mask. To this emblem they are each making an offering.