Note 172 — Chapter XII

Because we now find the Chinese apparently stationary, many persons unreflectingly conclude that they were always so; which would presuppose that the Chinese were placed upon earth with the faculty of making porcelain, gunpowder, paper, etc., somewhat after the manner in which bees make their cells. But in the annals of the Chinese empire, the date of many of their principal inventions is distinctly recorded. There was a long period of vigorous intellectual activity among that singular people, a period during which good books were written, and ingenious inventions made in rapid succession. This period has ceased, but the Chinese are not therefore stationary. They are retrograding. No Chinese workman can now make porcelain equal to that of former ages, which consequently bears an exorbitant price as an object of virtû. The secret of many of their arts has been lost, the practice of all is gradually deteriorating. No book of any note has been written these hundreds of years in that great empire. Hence their passionate attachment to everything old, which is not, as is so generally presumed, the cause of their stagnation: it is the sign of intellectual decadence, and the brake which prevents a still more rapid descent. Whenever a nation begins to extravagantly prize the productions of preceding ages, it is a confession that it can no longer equal them: it has begun to retrograde. But the very retrogression is a proof that there once was an opposite movement. [172]