Note (return) — MILAN CATHEDRAL

Of the statues crowded in and around this edifice many are esteemed, and some admired. Of the latter, that of St. Bartholomew is the first; it stands in the church, and represents the apostle as holding his own skin, which had been drawn off like drapery over his shoulders. The play of the muscles is represented with an accuracy, that rather disgusts and terrifies than pleases the spectator.1 The exterior of the chancel is lined with marble divided into panels, each of which has its basso relievo; the interior is wainscoted, and carved in a very masterly style. The whole of the chancel was erected by St. Charles Borromeo.