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The Mirror of Literature, Amusement, and Instruction. Volume 13, No. 363, March 28, 1829

Note (return) — THE COSMOPOLITE.

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But we are getting too rural; for our "Suburban Stroll" extended but to Dulwich and back, about four miles south of London. Twenty years since, we remember, the parish of Camberwell (which includes Peckham and Dulwich) was a pleasant village, with several mansions inhabited by citizens of property, who retired hither for air and recreation; now the whole district is crowded with lath and plaster cottages, and sugar-bakers' boxes, which appear well adapted for twelfth-cake kings and queens.7 Twenty years ago, we enjoyed the embowered walk of Camberwell Grove, and above all, Grove Hill, the retreat of Dr. John Coakley Lettsom, till his benevolence overmuch obliged him to part with this delightful residence. Well do we remember the picturesque effect of Grove Hill, the unostentatious, casino-like villa, ornamented with classic figures of Liberality, Plenty, and Flora—and the sheet of water whose surface was broken by a stream from a dank and moss-crusted fountain in its centre. Then, the high, overarching grove, and its summit, traditionally said to be the spot where George Barnwell murdered his uncle, the incident that gave rise to Lillo's pathetic tragedy. But the march of improvement has extended hither—the walk can scarcely be traced: still there is abundance of timber, for the grove has disappeared, and scores of new houses have sprung up with almost magical effect—and the whole scene reminds us of one of the change-scenes of a pantomime. The builder's share has turned over nearly every inch of the ground, and fresh gravel and loose loam remind the philosophical pedestrian that all is change beneath as well as on the surface. Of the mock villas that have been "put up" in this quarter, we must speak with forbearance. Their little bits of Gothic plastered here and there; their puny machicolations, square and pointed arches, and stained glass "cut out into little stars"—are but sorry specimens of taste, and but poor indications of comfort. They seem to totter like card-houses, and all their spick-and-span finery vanishes beside a wing of the picturesque—a cottage in true rustic taste, with rudely-arched virandahs, formed of limbs and trunks of trees, intermixed with evergreens, and reminding us of the "gnarled oaks and soft myrtles" of the poet's fancy; and with trimmed arches of thatch over little casements, with flowers

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