Note (return) — THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION.

In a retrospective glance at our previous volumes (for can the phrenologists tell us of a head capacious enough to contain their exhaustless variety?) our readers will perceive that, from time to time, sundry "accounts" of the origin and progress of printing have been inserted in the MIRROR;1 and though we are not vain enough to consider our sheet as the "refined gold, the lily, the violet, the ice, or the rainbow," of the poet's perfection, yet in specimens of the general economy of the art, the long-extended patronage of the public gives us an early place.