Note (return) — THE SELECTOR; AND LITERARY NOTICES OF NEW WORKS.

The countenance of Napoleon is familiar to almost every one from description, and the portraits which are found everywhere. The dark-brown hair bore little marks of the attentions of the toilet. The shape of the countenance approached more than is usual in the human race to a square. His eyes were grey, and full of expression, the pupils rather large, and the eye-brows not very strongly marked. The brow and upper part of the countenance was rather of a stern character. His nose and mouth were beautifully formed. The upper lip was very short. The teeth were indifferent, but were little shown in speaking.2 His smile possessed uncommon sweetness, and is stated to have been irresistible. The complexion was a clear olive, otherwise in general colourless. The prevailing character of his countenance was grave, even to melancholy, but without any signs of severity or violence. After death, the placidity and dignity of expression which continued to occupy the features, rendered them eminently beautiful, and the admiration of all who looked on them.