Note 310 — Chapter IV · THE MINSTREL REPERTORY
Reading edition
Wülker, 384; Brooke, i. 139, ii. 93, 221, 268; Jusserand, i. 75, 443. The passages of dialogue dwelt on by these writers mostly belong to the work of Cynewulf and his school. It has been suggested that some of them, e.g. the A.-S. Descent into Hell (Grein, iii. 175; cf. Anglia, xix. 137), or the dialogue between Mary and Joseph in Cynewulf’s Christ, 163 (ed. Gollancz, p. 16), may have been intended for liturgical use by half-choirs; but of this there is really no proof. Wülker, loc. cit., shows clearly that the notion of a dramatic representation was unfamiliar to the Anglo-Saxons.