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The mediaeval stage, volume 1 (of 2)

Note 307 — Chapter IV · THE MINSTREL REPERTORY

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Barbazan-Méon, i. 356. Bédier, 33, considers Courtois d’Arras as the oldest French comedy, a jeu dramatique with intercalated narrative by a meneur de jeu. But the fact that it ends with the words Te Deum leads one to look upon it as an adaptation of a religious play; cf. ch. xix.

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