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The mediaeval stage, volume 1 (of 2)

Note 49 — Chapter I · THE FALL OF THE THEATRES

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C. Th. xv. 7. 1, 2 (371); xv. 7. 4 (380); xv. 7. 9 (381). Historians have seen in some of these rescripts which are dated from Milan the influence of St. Ambrose. C. Th. xv. 7. 13 (414) seems to withdraw the concessions, in the interest of the public voluptates, but this may have been only a temporary or local measure.

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