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The Lusiad

Note 260 — BOOK III.

William Julius Mickle translation

It has been observed by some critics, that Milton on every occasion is fond of expressing his admiration of music, particularly of the song of the nightingale, and the full woodland choir. If in the same manner we are to judge of the favourite taste of Homer, we shall find it of a less delicate kind. He is continually describing the feast, the huge chine, the savoury viands on the glowing coals, and the foaming bowl. The ruling passion of Camoëns is also strongly marked in his writings. One may venture to affirm, that there is no poem of equal length that abounds with so many impassioned encomiums on the fair sex as the Lusiad. The genius of Camoëns seems never so pleased as when he is painting the variety of female charms; he feels all the magic of their allurements, and riots in his descriptions of the happiness and miseries attendant on the passion of love. As he wrote from his feelings, these parts of his works have been particularly honoured with the attention of the world.

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