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The Life or Legend of Gaudama, the Buddha of the Burmese (Volume I)

Note 23 — Chapter I

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A Dzedi is a religious edifice of a conical form, supported on a square basis, and having its top covered with what the Burmese call an umbrella, resembling in its shape the musical instrument vulgarly called chapeau chinois by the French. On each side of the quadrangular basis are opened four niches, in the direction of the four cardinal points, destined to receive statues of Buddha. This monument is of every dimension in size, from the smallest, a few feet high, to the tallest, of one or two hundred feet high. It is to be seen in every direction, and in the neighbourhood of towns every elevation is crowned with one or several Dzedis.

The word Dzedi means a sacred depository, that is to say, a place where relics of Buddha were enshrined. The word has been extended since to places which have become receptacles of the scriptures, or of the relics of distinguished religious, who had acquired eminence by their scientific and moral attainments. In the beginning, those Dzedis were a kind of tumuli, or mounds of earth or bricks, erected upon the shrine wherein relics were enclosed. In proportion as the followers of the Buddhistic faith increased in number, wealth, and influence, they erected Dzedis on a grander scale, bearing always a great resemblance in shape and form to the primitive ones. The stupas or topes discovered in the Punjaub, and in other parts of the Indian Peninsula, were real Buddhistic tumuli or Dzedis.

During succeeding ages, when relics could not be procured, the faithful continued to erect Dzedis, the sight of which was intended to remind them of the sacred relics, and they paid to those relics and monuments the same veneration as they would have offered to those enriched with those priceless objects. In Burmah, in particular, the zeal, or rather the rage, for building Dzedis has been carried to a degree scarcely to be credited by those who have not visited that country. In the following pages there will be found an attempt to describe the various forms given to those monuments.

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