Note C — Chapter VII · —CONCRETIONS IN DISCOURSE AND IN EXISTENCE

For the sake of simplicity only such ideas as precede conceptions of things have been mentioned here. After things are discovered, however, they may be used as terms in a second ideal synthesis and a concretion in discourse on a higher plane may be composed out of sustained concretions in existence. Proper names are such secondary concretions in discourse. “Venice” is a term covering many successive aspects and conditions, not distinguished in fancy, belonging to an object existing continuously in space and time. Each of these states of Venice constitutes a natural object, a concretion in existence, and is again analysable into a mass of fused but recognisable qualities—light, motion, beauty—each of which was an original concretion in discourse, a primordial term in experience. A quality is recognised by its own idea or permanent nature, a thing by its constituent qualities, and an embodied spirit by fusion into an ideal essence of the constant characters possessed by a thing. To raise natural objects into historic entities it is necessary to repeat upon a higher plane that concretion in discourse by which sensations were raised to ideas. When familiar objects attain this ideal character they have become poetical and achieved a sort of personality. They then possess a spiritual status. Thus sensuous experience is solidified into logical terms, these into ideas of things, and these, recast and smelted again in imagination, into forms of spirit.