Note 79 — Chapter X

From the “Athenæum.” There are a few variations in the letter as printed in the Nuremburg journal and in “Ilius Pamphilius”—“Bettine” is changed to “friend,” “frog” to “fish,” “and on the bastion” is omitted, “fascinated” (gebannt) is altered to “seized” (gepackt). A few other differences are grammatical errors.

It seems proper at this place for the English Editor to remark that Mr. Thayer’s argument in favor of the authenticity of the Bettina letters was printed in the Appendix to Vol. III of the original edition with a concluding foot-note by Dr. Deiters in which he said that he had not been convinced by his author’s painstaking exposition that the letters are genuine. Dr. Riemann in the second German edition prints the letters and the argument in the text, distributing the latter in two chapters and appending a foot-note in which he gives it as his opinion that only the second (that dated February 10, 1811, the autograph of which is in existence) is authentic as a letter, while the other two, though probably based on observations made by Beethoven to Bettina, were put into epistolary shape by her. One of Bettina’s letters to Pückler-Muskau, which tells of Beethoven’s rudeness to Goethe as illustrated in the anecdote which plays so important a rôle in the third letter, would seem to bear out this theory. But it is also likely that Beethoven’s original letters were tricked out by her for literary effect, which would help to explain the disappearance of the autographs of the letters of 1810 and 1812. The second letter, which was printed in facsimile in the Marx-Behncke critical biography of Beethoven (4th ed., 1884), was in possession of Pastor Nathusius in Quedlinburg in 1902.