Note 1 — Chapter II · (continued 2)

: Bayle's Dict, Art. Morus, and Bruce's Life of Morus, pp. 142-145 and 204-205. This last book is a curiosity. One hardly sees why the life and character of Morus should have so fascinated the Rev. Archibald Bruce, who was minister of the Associate Congregation at Whitburn, in Linlithgowshire, from 1768 to 1816, and Professor of Theology there for the Associate Presbyterian Synod for nearly all that time. He was a worthy and learned man, for whom Dr. McCrie, the author of the Life of John Knox, and of the same Presbyterian denomination, entertained a more "profound veneration" than for any other man on earth (see Life of McCrie by his son, edit. 1840, pp. 52-57). He was "a Whig of the Old School," with liberal political opinions in the main, but strongly opposed to Roman Catholic emancipation; which brought him into connexion with Lord George Gordon, of the "No Popery Riots" of 1780. He wrote many books and pamphlets, and kept a printer at Whitburn for his own use. He may have been drawn to Morus by his interest in the history of Presbyterianism abroad, especially as Morus was of Scottish parentage, or by his interest in the proceedings of Presbyterian Church Courts in such cases of scandal as that of Morus. At any rate, he defends Morus throughout most resolutely, and with a good deal of scholarly painstaking. Milton, on the other hand, he thoroughly dislikes, and represents as a most malicious and un-Christian man, consciously untruthful, and of most lax theology to boot. To be sure, he was the author of Paradise Lost; but that much-praised poem had serious religious defects too! There is something actually refreshing in the naïveté and courage with which the sturdy Professor of the Associate Synod propounds his own dissent from the common Milton-worship.—The authority for Morus's acquaintanceship in Italy with Holstenius and Dati is the collection of his Latin Poems, a thin quarto, published at Paris in 1669, under the title of Alexandri Mori Poemata. It contains his poem, a longish one in Hexameters, on the victory of the Venetians over the Turks; also verses to the Grand-Duke of Tuscany; also obituary elegiacs to Diodati of Geneva, and several pieces to or on Salmasius. One piece, in elegiacs, is addressed "Ad Franciscum Turretinum, raræ indolis ac summæ spei juvenem." This Francis Turretin (so addressed, I suppose, long ago, when he and Morus were in Geneva together) was, if I mistake not, the famous Turretin of Milton's letter about Morus to Ezekiel Spanheim (ante pp. 173-176). Among the other pieces are one to Holstenius and one to Carlo Dati. In the first Morus, speaking of his introduction to Holstenius and to the Vatican library together, says he does not know which seemed to him the greater library. The poem to Dati is of considerable length, in Hexameters, and entitled "Ægri Somnium: ad præstantem virum Carolum Dati" ("An Invalid's Dream: To the excellent Carlo Dati"). It represents Morus as very ill in Florence and thinking himself dying. Should he die in Florence and be buried there, he would have a poetic inscription over his grave to the effect that while alive he also had cultivated the Muses, and begging the passer-by to remember his name ("Qui legis hæc obiter, Morique morique memento"). How kind Dati had been to him—Dati, "than whom there is not a better man, the beloved of all the sister Muses, the ornament of his country, having the reputation of being all but unique in Florence for learning in the vanished arts, siren at once in Tuscan, Latin, and Greek! ... This Dati soothed my fever-fits with the music of his liquid singing, and sat by my bed-side, and spoke words of sweetness, which inhere yet in my very marrow." And so Milton's Italian friend of friends (Vol. III. pp. 551-654 and 680-683) had been charitable to poor Morus, whom he knew to be a fugitive from Milton's wrath, and who could name Milton, if at all, only with tears and cursing.