Note 44 — THE DOGMATIC IMPORT OF THE LIFE OF JESUS.

At an earlier period, Horst presented this symbolical view of the history of Jesus with singular clearness. Whether, he says, all that is narrated of Christ happened precisely so, historically, is a question indifferent to us, nor can it now be settled. Nay, if we would be candid with ourselves, that which was once sacred history for the Christian believer, is, for the enlightened portion of our cotemporaries, only fable: the narratives of the supernatural birth of Christ, of his miracles, of his resurrection and ascension, must be rejected by us as at variance with the inductions of our intellect. Let them however only be no longer interpreted merely by the understanding as history, but by the feelings and imagination, as poetry; and it will be found that in these narratives nothing is invented arbitrarily, but all springs from the depths and divine impulses of the human mind. Considered from this point of view, we may annex to the history of Christ all that is important to religious trust, animating to the pure dispositions, attractive to the tender feelings. That history is a beautiful, sacred poem of the human race—a poem in which are embodied all the wants of our religious instinct; and this is the highest honour of Christianity, and the strongest proof of its universal applicability. The history of the gospel is in fact the history of human nature conceived ideally, and exhibits to us in the life of an individual, what man ought to be, and, united with him by following his doctrine and example, can actually become. It is not denied that what to us can appear only sacred poetry, was to Paul, John, Matthew and Luke, fact and certain history. But it was the very same internal cause which made the narratives of the gospel sacred fact and history to them, which makes those narratives to us a sacred mythus and poetry. The points of view only are different: human nature, and in it the religious impulse, remains ever the same. Those first Christians needed in their world, for the animating of the religious and moral dispositions in the men of their time, history and fact, of which, however, the inmost kernel consisted of ideas: to us, the facts are become superannuated and doubtful, and only for the sake of the fundamental ideas, are the narratives of those facts an object of reverence.44