Note 118 — Chapter IX · MIRACLES OF JESUS.

But by these attempts to interpret the evangelical narratives, especially in the last particular, the supernaturalistic theologians, who bring them forward, betake themselves to the same ground as the rationalists, for they are equally open to the charge of introducing into the narratives what is not in the remotest degree intimated by the text. For where, in the procedure of Jesus towards the blind man, is there a trace that his design in the first instance was to prove and to strengthen the faith of the patient? In that case, instead of the expression, He asked him if he saw aught, which relates only to his external condition, we must rather have read, as in Matt. ix. 28, Believe ye that I am able to do this? But what shall we say to the conjecture that a sudden cure might have been injurious! The curative act of a worker of miracles is (according to Olshausen’s own opinion) not to be regarded as the merely negative one of the removal of a disease, but also as the positive one of an impartation of new and fresh strength to the organ affected, whence the idea of danger from an instantaneous cure when wrought by miraculous agency, is not to be entertained. Thus no motive is to be discovered which could induce Jesus to put a restraint on the immediate action of his miraculous power, and it must therefore have been restricted, independently of his volition, by the force of the deep-seated malady. This, however, is entirely opposed to the idea of the gospels, which represent the miraculous power of Jesus as superior to death itself; it cannot therefore have been the meaning of our Evangelists. If we take into consideration the peculiar characteristics of Mark as an author, it will appear that his only aim is to give dramatic effect to the scene. Every sudden result is difficult to bring before the imagination: he who wishes to give to another a vivid idea of a rapid movement, first goes through it slowly, and a quick result is perfectly conceivable only when the narrator has shown the process in detail. Consequently a writer whose object it is to assist as far as may be the imagination of his reader, will wherever it is possible exhibit the propensity to render the immediate mediate, and when recording a sudden result, still to bring forward the successive steps that led to it.118 So here Mark, or his informant, supposed that he was contributing greatly to the dramatic effect, when he inserted between the blindness of the man and the entire restoration of his sight, the partial cure, or the seeing men as trees, and every reader will say, from his own feeling, that this object is fully achieved. But herein, as others also have remarked,119 Mark is so far from manifesting an inclination to the natural conception of such miracles, that he, on the contrary, not seldom labours to aggrandize the miracle, as we have partly seen in the case of the Gadarene, and shall yet have frequent reason to remark. In a similar manner may also be explained why Mark in these narratives which are peculiar to him (and elsewhere also, as in vi. 13, where he observes that the disciples anointed the sick with oil), mentions the application of external means and manifestations in miraculous cures. That these means, the saliva particularly, were not in the popular opinion of that age naturally efficacious causes of the cure, we may be convinced by the narrative concerning Vespasian quoted above, as also by passages of Jewish and Roman authors, according to which saliva was believed to have a magical potency, especially against diseases of the eye.120 Hence Olshausen perfectly reproduces the conception of that age when he explains the touch, saliva, and the like, to be conductors of the superior power resident in the worker of miracles. We cannot indeed make this opinion ours, unless with Olshausen we proceed upon the supposition of a parallelism between the miraculous power of Jesus and the agency of animal magnetism: a supposition which, for the explanation of the miracles of Jesus, especially of the one before us, is inadequate and therefore superfluous. Hence we put this means merely to the account of the Evangelist. To him also we may then doubtless refer the taking aside of the blind man, the exaggerated description of the astonishment of the people, (ὑπερπερισσῶς ἐξπλήσσοντο ἅπαντες, vii. 37,) and the strict prohibition to tell any man of the cure. This secrecy gave the affair a mysterious aspect, which, as we may gather from other passages, was pleasing to Mark. We have another trait belonging to the mysterious in the narratives of the cure of the deaf man, where Mark says, And looking up to heaven he sighed (vii. 34). What cause was there for sighing at that particular moment? Was it the misery of the human race,121 which must have been long known to Jesus from many melancholy examples? Or shall we evade the difficulty by explaining the expression as implying nothing further than silent prayer or audible speech?122 Whoever knows Mark will rather recognise the exaggerating narrator in the circumstance that he ascribes to Jesus a deep emotion, on an occasion which could not indeed have excited it, but which, being accompanied by it, had a more mysterious appearance. But above all, there appears to me to be an air of mystery in this, that Mark gives the authoritative word with which Jesus opened the ears of the deaf man in its original Syriac form, ἐφφαθὰ, as on the resuscitation of the daughter of Jairus, this Evangelist alone has the words ταλιθὰ κοῦμι (v. 41). It is indeed said that these expressions are anything rather than magical forms;123 but that Mark chooses to give these authoritative words in a language foreign to his readers, to whom he is obliged at the same time to explain them, nevertheless proves that he must have attributed to this original form a special significance, which, as it appears from the context, can only have been a magical one. This inclination to the mysterious we may now retrospectively find indicated in the application of those outward means which have no relation to the result; for the mysterious consists precisely in the presentation of infinite power through a finite medium, in the combination of the strongest effect with apparently inefficacious means.