Note 46 — Chapter VIII · EVENTS IN THE PUBLIC LIFE OF JESUS, EXCLUDING THE MIRACLES.
George Eliot translation
But it must be asked, if the reconciliation of Luke with the other three Evangelists is despaired of, whether the agreement of the latter amongst themselves is so decided, and whether we must not rather proceed, from the distinction of two anointings, to the distinction of three, or even four? To four certainly it will scarcely extend; for Mark does not depart from Matthew, except in a few touches of his well-known dramatic manner; but between these two Evangelists on the one side, and John on the other, there are differences which may fairly be compared with those between Luke and the rest. The first difference relates to the house in which the entertainment is said to have been given; according to the two first Evangelists, it was the house of Simon the leper, a person elsewhere unnoticed; the fourth does not, it is true, expressly name the host, but since he mentions Martha as the person who waited on the guests, and her brother Lazarus as one of those who sat at meat, there is no doubt that he intended to indicate the house of the latter as the locality of the repast.46 Neither is the time of the occurrence precisely the same, for according to Matthew and Mark the scene takes place after the solemn entrance of Jesus into Jerusalem, only two days at the utmost before the passover; according to John, on the other hand, before the entrance, as early as six days prior to the passover.47 Further, the individual whom John states to be that Mary of Bethany so intimately united to Jesus, is only known to the two first evangelists as a woman, γυνὴ;48 neither do they represent her as being, like Mary, in the house, and one of the host’s family, but as coming, one knows not whence, to Jesus, while he reclined at table. Moreover, the act of anointing is in the fourth gospel another than in the two first. In the latter, the woman pours her ointment of spikenard on the head of Jesus; in John, on the contrary, she anoints his feet, and dries them with her hair,49 a difference which gives the whole scene a new character. Lastly, the two synoptists are not aware that it was Judas who gave utterance to the censure against the woman; Matthew attributing it to the disciples, Mark, to the spectators generally.50