Note 4 — Chapter VIII · EVENTS IN THE PUBLIC LIFE OF JESUS, EXCLUDING THE MIRACLES.

These facts are, in the opinion of our latest critics, a confirmation of the fourth Evangelist’s claim to the character of an eye-witness, and of the greater proximity of the second and third Evangelists to the scenes they describe, than can be attributed to the first. But, even allowing that one who does not narrate graphically cannot be an eye-witness, this does not involve the proposition that whoever does narrate graphically must be an eye-witness. In all cases in which there are extant two accounts of a single fact, the one full, the other concise, opinions may be divided as to which of them is the original.4 When these accounts have been liable to the modifications of tradition, it is important to bear in mind that tradition has two tendencies: the one, to sublimate the concrete into the abstract, the individual into the general; the other, not less essential, to substitute arbitrary fictions for the historical reality which is lost.5 If then we put the want of precision in the narrative of the first Evangelist to the account of the former function of the legend, ought we at once to regard the precision and dramatic effect of the other gospels, as a proof that their authors were eye-witnesses? Must we not rather examine whether these qualities be not derived from the second function of the legend?6 The decision with which the other inference is drawn, is in fact merely an after-taste of the old orthodox opinion, that all our gospels proceed immediately from eye-witnesses, or at least through a medium incapable of error. Modern criticism has limited this supposition, and admitted the possibility that one or the other of our gospels may have been affected by oral tradition. Accordingly it maintains, not without probability, that a gospel in which the descriptions are throughout destitute of colouring and life, cannot be the production of an eye-witness, and must have suffered from the effacing fingers of tradition. But the counter proposition, that the other gospels, in which the style of narration is more detailed and dramatic, rest on the testimony of eye-witnesses, would only follow from the supposed necessity that this must be the case with some of our gospels. For if such a supposition be made with respect to several narratives of both the above kinds, there is no question that the more graphic and vivid ones are with preponderant probability to be referred to eye-witnesses. But this supposition has merely a subjective foundation. It was an easier transition for commentators to make from the old notion that all the gospels were immediately or mediately autoptical narratives, to the limited admission that perhaps one may fall short of this character, than to the general admission that it may be equally wanting to all. But, according to the rigid rules of consequence, with the orthodox view of the scriptural canon, falls the assumption of pure ocular testimony, not only for one or other of the gospels, but for all; the possibility of the contrary must be presupposed in relation to them all, and their pretensions must be estimated according to their internal character, compared with the external testimonies. From this point of view—the only one that criticism can consistently adopt—it is as probable, considering the nature of the external testimonies examined in our Introduction, that the three last Evangelists owe the dramatic effect in which they surpass Matthew, to the embellishments of a more mature tradition, as that this quality is the result of a closer communication with eye-witnesses.