Note 18 — Chapter V · THE DISCIPLES OF JESUS.
George Eliot translation
Thus, it fares with the narrative of Luke, when viewed in relation to that of Matthew and Mark, as it did with that of John, when placed in the same light; neither will bear the other to precede, or to follow it,—in short, they exclude each other.18 Which then is the correct narrative? Schleiermacher prefers that of the Evangelist on whom he has commented, because it is more particular19; and Sieffert20 has recently asserted with great emphasis, that no one has ever yet doubted the superiority of Luke’s narrative, as a faithful picture of the entire occurrence, the number of its special, dramatic, and intrinsically authenticated details, advantageously distinguishing it from the account in the first (and second) gospel, which by its omission of the critical incident, the turning point in the narrative (the draught of fishes), is characterized as the recital of one who was not an eye-witness. I have already presented myself elsewhere21 to this critic, as one hardy enough to express the doubt of which he denies the existence, and I here repeat the question: supposing one only of the two narratives to have been modified by oral tradition, which alternative is more in accordance with the nature of that means of transmission,—that the tangible fact of a draught of fishes should evaporate into a mere saying respecting fishers of men, or that this figurative expression should be condensed into a literal history? The answer to this question cannot be dubious; for when was it in the nature of the legend to spiritualize? to change the real, such as the story of a miracle, into the ideal, such as a mere verbal image? The stage of human culture to which the legend belongs, and the mental faculty in which it originates, demand that it should give a stable body to fleeting thought, that it should counteract the ambiguity and changeableness of words, by affixing them to the permanent and universally understood symbol of action.