Note 11 — Chapter XXII · THE LAST HEIGHTS1 (1910–1915)
Bernard Miall translation
While these distressing problems were filling his mind, and while, in protest against happenings so utterly contrary to his ideas, he would thump his fist upon his famous little table, a woman was moving gently to and fro, playing the parts, alternately, with the same calm countenance, of Martha and of Mary; and when he asked her her secret, she showed him her crucifix and read the Gospel to him, as though to wring from his heart the cry that was uttered by the poet of La Bonne Souffrance:11