Note 4 — Chapter II · THE URCHIN OF MALAVAL

The same freshness of impression and the same affinity for natural objects will be found in another recollection of the same period: the recollection of “a certain harmonica,” whose music to the “ear of a child of six” sounded as sweet and strange as that of the frog whom he heard emitting his limpid note in the neighbourhood of the solitary farm as the last light of evening faded from the heights. “A series of glass slips, of unequal length, fixed upon two tightly-stretched tapes, and a cork on the end of a wire, which served as a striker”: such was the instrument which some one brought the child from the latest fair. “Imagine an untutored hand striking at random upon this key-board, with the most riotous unexpectedness of octaves, discords, and inverted harmonies”: such was the chiming of the bell-ringer frogs on the sunken lanes of Malaval. “As a song it had neither head nor tail; but the purity of the sound was delightful.” How much more delightful, in the first radiance of his spontaneous childhood, this little scrap of a fellow who was beginning to play his part in the great concert of the world, in which he was one day to fill so notable a place and to sing a new song to the glory of the Master of Nature!4