Note 134 — Chapter XV

This was on Sunday, the 21st of February, when a party were assembled of whom I think the French Emperor, his cousin the Prince Napoleon, Doctor Quin, Dickens's eldest son, and myself, are now the only survivors. Lady Blessington had received the day before from her brother Major Power, who held a military appointment in Hobart Town, a small oil-painting of a girl's face by the murderer Wainewright (mentioned on a former page as having been seen by us together in Newgate), who was among the convicts there under sentence of transportation, and who had contrived somehow to put the expression of his own wickedness into the portrait of a nice kind-hearted girl. Major Power knew nothing of the man's previous history at this time, and had employed him on the painting out of a sort of charity. As soon as the truth went back, Wainewright was excluded from houses before open to him, and shortly after died very miserably. What Reynolds said of portrait painting, to explain its frequent want of refinement, that a man could only put into a face what he had in himself, was forcibly shown in this incident. The villain's story altogether moved Dickens to the same interest as it had excited in another profound student of humanity (Sir Edward Lytton), and, as will be seen, he also introduced him into one of his later writings.