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The life, letters and work of Frederic Leighton. Volume I

Note 57 — Chapter V · ToC

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It was when visiting his family at Bath that he first saw Hanson Walker, the "Johnny" of the letters and of the pictures. Leighton was much taken with the picturesque beauty of the boy's head, and made various studies from it. A pencil study he made from his head (see List of Illustrations) he used as a study for his picture "Lieder ohne Worte." Having discovered that his sitter had a natural taste for drawing, Leighton advised "Johnny's" father to let him become an artist. This led to the boy being sent to learn drawing at the School of Art in Bath. When Leighton returned to London after it had been decided that "Johnny" was to study drawing, the young student received one day to his surprise a large case. On opening it he found to his delight a cast from the antique, a drawing-board, paper, charcoal, chalks, in fact, all the utensils wanted by a beginner wishing to work seriously at Art. Never to the end of his life did Leighton's interest in his pupil flag. Never was he too busy to do a kindness to him or his. Perhaps the early and somewhat romantic marriage which "Johnny" made with a lady for whom Leighton felt from the earliest days of the wedded life a very sincere regard, and the charming children who soon made a pretty cluster round their parents, and were always a delight to Leighton, cemented the friendly interest. The head of "Nan" (Mrs. Hanson Walker—see List of Illustrations), painted as a wedding present to "Johnny," is one among the happiest of Leighton's portraits. It is broad in treatment, and fair and very pure in colour, and as a likeness was considered perfect.

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