Note 3 — Chapter I · THE SACRED BEETLE

Let us suppose the Scarab fortunate enough to have found a loyal partner; or, better still, let us suppose that he has met no self-invited colleague. The burrow is ready. It is a cavity dug in soft earth, usually in sand, shallow, the size of one’s fist and communicating with the outside by a short channel just large enough for the passage of the ball. As soon as the provisions are safely housed, the Scarab shuts himself in by stopping up the entrance to his dwelling with rubbish reserved for the purpose in a corner. Once the door is closed, no sign outside betrays the banqueting-hall. And, now, welcome mirth and jollity! All is for the best in the best of all possible worlds! The table is sumptuously laid; the ceiling tempers the heat of the sun and allows but a mild, moist heat to penetrate; the calm, the darkness, the concert of the crickets overhead all favour the digestive functions. So great has been my illusion that I have caught myself listening at the door, expecting to hear the revellers burst into that famous snatch from the opera of Galatée:3