Note 152.1 — Chapter XXI · THE STORY AS A WHOLE. THE PROBLEM OF ITS PLACE OF ORIGIN. CONCLUSION.
Reading edition
Comparing the classical version of the legend, as it has come down to us in the writings chiefly of Ovid and Lucian, with what may be regarded as the typical shape of the modern märchen, we are struck by a number of differences, among which we may reckon the difference in the mode of the supernatural conception; the absence from the ancient tale of the Life-token and of the impostor who pretends to have slain the dragon; the displacement of the incident of the Medusa-witch and its elevation in the classical story to a more prominent position than it usually occupies elsewhere; the substitution in modern tales of the Helpful Beasts for the divine gift of weapons; and lastly the enthralling power of Fate, supplying the artistic motive for the romance of Perseus, but absent from most of the folktales gathered in later times. Some of these differences of detail, however, are more apparent than real. In Phineus, who, according to Ovid, invades the wedding banquet, we have an analogue of the impostor. Too cowardly to fight the monster and save his betrothed, he comes forward with a posse of friends to take her by force from the victor, and is only vanquished when Perseus exhibits the Gorgon’s head. It is tempting to suggest that in the prototype of the story Perseus attacked and slew the monster on his outward journey, that he passed on to the slaughter of Medusa before celebrating his union with Andromeda, and that meanwhile Phineus laid claim to the victory and its guerdon, and was confounded on the hero’s return, either by production of the Gorgon’s head, as in Ovid’s text, or by proof in the shape of the dragon’s head or tongue, as in the more modern tales. This conjecture might be supported by the fact that Perseus is represented by Ovid152.1 as using only his sword in the combat with the monster, as well as by the consideration that it supplies a motive for the inexplicable desertion by the victor of the lady whom he has saved from the dragon’s maw, which occurs in so large a number of variants. The order in question does occur, though rarely, in modern stories;153.1 but, as we shall see hereafter, there is a decisive reason against supposing it ever to have formed part of the classical legend.