Note 91.1 — Chapter IX · WITCHCRAFT: SYMPATHETIC MAGIC.

Probably it is only a different interpretation of the same belief which alike in Christian, in Mohammedan, and in Buddhist lands has led to the ascription of marvellous powers to the clothes and other relics of departed saints. The divine power which was immanent in these personages during life attaches not merely to every portion of their bodies but to every shred of their apparel. The Ursuline nuns of Quintin keep one of the principal schools in Brittany. When a girl who has been their pupil marries and finds herself “in blessed circumstances,” the pious nuns send her a white ribbon painted in blue (the Virgin’s colour) with the words: “Notre Dame de Délivrance, protégez nous.” Before despatching it, they touch with it the reliquary of the parish church, which contains a fragment of the Virgin Mary’s zone. The recipient hastens to put the ribbon around her waist, and does not cease to wear it until her baby is born.91.1 For the Virgin’s zone, having been in contact with her divinity, though that contact has ceased to outward appearance, is still in some subtle connection with the goddess, and can, with the power it has thus acquired, leaven its reliquary and everything that touches the reliquary. Father De Acosta bears unconscious testimony to the real character of this belief. Speaking of the Mexican idol Tezcatlipuca, he relates that upon the even of his feast the god was furnished by the nobles with a new robe. When it was put on, the old robe was taken off “and kept with as much or more reverence than we doe our ornaments.” Ecclesiastical ornaments, of course, are meant; and the writer goes on to say that “there were in the coffers of the idoll many ornaments, iewelles, eareings, and other riches, as bracelets and pretious feathers, which served to no other vse but to be there, and was [sic] worshipped as their god it selfe.”92.1 Not to multiply instances which might be adduced from the Arctic Ocean to the Southern Sea, I will refer only to the sacred girdle worn by Tahitian kings. The red feathers which adorned this girdle were taken from the images of the gods. It “thus became sacred, even as the person of the gods, the feathers being supposed to retain all the dreadful attributes of power and vengeance which the idols possessed, and with which it was designed to endow the king.” So potent indeed was it that Mr. Ellis says it “not only raised him to the highest earthly station, but identified him with their gods.”92.2