Note 3 — INTRODUCTION
Arthur S. (Arthur Sanders) Way translation
1. The Mythical Element, The groundwork of this is the Saga of Siegfried, or Sigurd, as he is named in the Northern versions of the myth. In the old heroic age of the Teuton tribes, perhaps during the period of the Migrations of the Peoples, in the 5th, 6th and 7th centuries, there took shape this legend of a demigod hero[3]. The supernatural pervades the whole atmosphere of this primitive form of the myth. The Gods still walk the earth, the hero is descended from a God, he woos a cloud-maiden, there is something more than earthly in his sword, in his horse, in the glance of his eyes. But as the Germanic tribes to whom this myth was a common inheritance broke up and wandered far apart, it came to pass that it was just with those who remained in the ancient home, the birth-land of the myth, that it became most modified, and that its supernatural elements were removed or toned down, as the result of admixture with more civilized peoples, and, still more, of the acceptance of Christianity by the Germans themselves. Christian teachers were too grimly in earnest to tolerate poems which assumed the existence of heathen deities, and glorified non-Christian virtues. Hence it came to pass that the tribes of Teutonic origin which longest preserved the original form of the myth were those which wandered farthest from the old home-land, and which were the last to abandon the old faith.